Proposals.. riding a bicycle in aruria campus Essay

Recommendations.. riding a bike in aruria grounds - Essay Example The proposition additionally takes care of the expense of the undertaking. In addition, it gives subtleties of the group that will play out this undertaking. Moreover, there is a point by point timetable of assignments and time required to do these undertakings, trailed by a Gantt diagram which gives a visual showcase of the errands and time required for their fruition. This proposition centers around the intended interest group which primarily involves the understudies, personnel and staff at the Auraria grounds. The proposition additionally gives a review with respect to why bikes ought to be permitted at grounds and what advantages can be. To accomplish results, the proposition additionally recommends that reviews ought to be done on various grounds to hear the thoughts of other understudy bodies. Additionally, reviews ought to be completed at the Auraria grounds so as to realize what the understudies need and how they figure this issue can be comprehended. It is exceptionally con ceivable that with these overviews, the administration and the group taking a shot at this task, may have the option to work out something better and more understudy cordial. The proposition has subtleties that will clarify the aces, cons, cost, and capabilities that will help kick this arrangement off. The arrangement is simple and

Economics and Higher Grades

Would it be a good idea for me to concentrate more in math? T-Chart Cost Benefit Less time for things I like to do. | Higher evaluations. | Less time for loved ones. | Increased scores in finals. | Less time to procure cash. | Graduate secondary school and more chances. | 1 Explain how the ideas of shortage, decision, and opportunity cost identify with your problem. For shortage it would be that rather than me doing different things of my enjoying I would examine, bringing about higher evaluations. Opportunity cost would be for instance working which accompanies bringing in cash and releasing that yet then over the long haul having the option to graduate secondary school and have more opportunities.2. What are the conceivable momentary expenses and advantages? What are the conceivable long haul expenses and advantages? Clarify your answers and ensure all are recorded in your chart.The momentary expenses is surrender things I like as an end-result of higher evaluations. Likewise surrendering some time with companions and family would be appeared in my last scores as it gives more opportunity for contemplating. Likewise not working or making a pay would occupy less time and would cause me to have the option to focus full time on my studies.3. Which segm ent has more reactions? Which section has all the more remarkable reactions? Clarify which focuses are generally critical to you and why. I accept the more impressive reaction originate from the advantage as they are what I need the most and don’t truly contrast with the other transient impacts. For instance I would prefer to need to graduate and so forth than to have cash right now as I probably am aware it will help me in the future.4. In view of the outline and your impression of the above inquiries, what will be your last decision? Was this procedure accommodating to you in arriving at a choice? Compose a short section with at any rate three subtleties to convince your educator this is the best decision.I would set aside more effort to concentrate as it pays off over the long haul and would clearly be more advantageous to me than not doing it. It will likewise as should be obvious in the graph cause me to have the option to exceed expectations more in the area’s in a tough situation with. I will have the option to not experience any difficulty in breezing through tests, and I will obtain more information regarding the matter for what's to come. Surrendering work will likewise place a negative effect in present moment for my wallet however it will give more opportunity for me to procure other information regarding the matter.

Are You Sabotaging Your Relationships

Are You Sabotaging Your Relationships Why We Self-Sabotage The specific reasons why someone may self-sabotage relationships are context-specific. Every person has had a different past: parenting, childhood, teenage years and first serious relationships all have an effect on how we act right now. One of the main reasons why people sabotage their relationships is fear of intimacy. People are afraid of intimacy when they fear emotional or physical closeness with other people. Everyone wants and needs intimacy, but in people with certain experiences, intimacy may be linked to negative rather than positive experiences, leading to a push-and-pull-type behavior that leads to a relationship breakup or avoidance. Fear of intimacy typically comes from difficult or abusive parental relationships and childhood trauma (physical, sexual, emotional). The deep, embedded belief in people who fear intimacy is: people who I am close to cannot be trusted. Because early trusting relationships with parents or caregivers were broken by abuse, people who fear intimacy believe that people who love them will inevitably hurt them. As children, they could not extricate themselves from these relationships; however, as adults, they have the power to end or leave them, even when they are not inherently abusive. This fear appears in two types: fear of abandonment and fear of engulfment. In the first, people are worried that those they love will leave them when they are most vulnerable; in the second, people are worried that they will lose their identity or ability to make decisions for themselves. These two fears often exist together, leading to the push-and-pull behavior so typical of those with deep fears of intimacy. Signs Of Self-Sabotage In Relationships There are many signs that you might have a tendency to self-sabotage even the best of relationships. Here are some of the most common. You always have an eye on the exit You avoid anything that leads to bigger commitment: meeting parents, moving in together, etc. Youre always wondering: if it goes wrong, how can I extricate myself easily from this relationship? Because commitment reduces your ability to leave a relationship without financial or emotional consequences, you tend to avoid it. You gaslight your partner Gaslighting is a form of emotional abuse whose aim is to deny the other persons reality or experiences. For example, if your partner says: Im really upset that you canceled our date, you respond with something like: Youre not really upset, its your fault I canceled and youre just trying to blame me for it. Gaslighting is a sign that you dont really believe your partners feelings are valid or real (even though they are). You are known as a serial dater Your friends often ask you why you break up with potential partners so often or lament the fact that you never seem to settle down with anyone. You break up with partners on the slightest of issues, only to start dating another person right away and repeat the cycle. You dont want to be seen as a player but you cant seem to find someone who you can commit to. You are paranoid or extremely jealous You always worry that your partner might be seeing someone else behind your back. You demand control over every aspect of their life and require constant contact. When they spend time with other people without you, you fret, text constantly, experience jealousy, and ask for proof that theyre being faithful. They break up with you because they find you controlling. You criticize everything they do You constantly look for perfection in a partner, even though you know perfection is impossible. You find fault with every little thing they do, from the way they cook to the clothes they wear. You are impossible to please, and your partner eventually gives up trying and breaks up with you. You avoid facing problems You spend a lot of time trying to convince yourself that the relationship is perfect, even when its not. When your partner wants to address a problem, you avoid the topic or simply say: I dont think were having an issue; its going to go away. Your partner grows resentful of your inability to face problems together and leaves. You have sex with other people While in some cases having sex with other people is okay when both people agree to non-monogamy, in general, going from affair to affair can be a sign of self-sabotage. Youre doing one of the most hurtful things you can do to a romantic partner in the hopes that theyll find out and leave you. You always tear yourself down You always talk about yourself in self-deprecating ways: Im not as smart as you, Im just an idiot, why are you with me?, Youre just with me because you pity me, etc. This is a sign of low self-esteem, and most people do not enjoy being told that they love someone who is worthless. When, despite their constant reassurance that you are a good person, you keep tearing yourself down, they give up and break up. These are just a few examples of how people with a fear of intimacy might sabotage their relationships. Note that many of them are abusive: things like gaslighting, paranoia and control can damage the other person. People with these patterns have childhood trauma and dont know how else to act. How Do You Behave in Romantic Relationships? Why Its a Problem Even when you recognize signs of self-sabotage in your relationships, you may not initially feel a desire to stop these problematic behaviors. Such patterns allow you to exit relationships when you want toâ€"and thats exactly the problem. You want out in order to avoid the intimacy you fear in the short-term, but such actions can create difficulties that can haunt you in the long-term. Why does it matter that you want to continually end your relationships, even when things are going well? Some of the potential long-term consequences include: A lack of intimate relationships. As time goes on, you may find yourself longing for a close, secure, long-term relationship. Self-sabotaging behaviors make any kind of commitment difficult to find and maintain.  Loneliness. Lack of close relationships can leave people feeling isolated. You might find yourself longing for connections that you feel unable to forge or keep.Lack of children and family. While not everyone has a desire to have children, some people may find themselves wishing that they had a partner with whom to have a family.  Trouble tolerating closeness. Repeatedly ending your relationships before you can build true intimacy can make it even harder to get close to future partners. Even as you grow closer to a person, you may find yourself constantly holding back parts of yourself out of a fear of getting too attached and then getting burned. Ending Self-Sabotage To end self-sabotage, you first need to take a good, hard look at yourself and your behavior patterns. Unless you are willing to be honest with yourself and face all the ways you may have abused or hurt other people because of your fear of intimacy, you are doomed to repeat it. Therapy is the first step many take to end their self-sabotaging patterns. A professional can help you identify your behaviors, dig to the root of your issues, and find new, healthier ways to behave. In general, a few things are important to uncover when ending self-sabotage. What is your attachment style? Attachment theory is a framework that explains patterns of behavior with intimate others. The ideal type of attachment is secure: this is when people feel like they can trust others and remain a distinct individual, even in close relationships. However, childhood experiences can lead to anxious, avoidant, or disordered attachment styles: these are the ones that cause issues in adults trying to develop strong relationships and families. The good news: you can work with a therapist on developing a more secure style by facing your fears and removing false beliefs about relationships. What are your triggers? Fear of intimacy and self-sabotage can remain dormant until a trigger wakes them up. It might be words, actions or even places. Knowing what triggers your fears will help you either avoid them or work on them so they dont trigger you anymore. Do you confuse the past with the present? One of the main problems of self-sabotaging is that we behave in the present as if the current situation was the same as one in the past. It can be childhood or past adult relationships. Learning to say: that was then, this is now can help you make decisions that are based on the present, rather than reacting blindly based on what happened to you in the past. Can you talk about these issues? One of the hallmarks of self-sabotage and fear of intimacy is the inability to talk about your feelings and your problems. You avoid talking about these things because talking means feeling, and you want to avoid feeling these things at all costs. Expressing your emotions, your fears and your needs will not only help you identify the problems but will also help others understand you better. Get The Help You Need Remember that its okay to get help. Seeking therapy, or simply a kind and friendly ear is the first step towards freeing yourself from self-sabotaging behaviors in relationships. Be kind to yourself and accept that everyone needs help once in a while. Tips to Help You Date More Mindfully

Pride And Prejudice By Jane Austen - 1198 Words

Jane Austen’s Pride and Prejudice follows headstrong Elizabeth Bennet’s journey to maturity and her discovery of true love. The novel documents Elizabeth’s constantly complicated relationships with those around her, especially her family members. Although Elizabeth’s actions as a sister are central to the story, Mr. Darcy’s role as a brother plays a markedly more important role in the trajectory of the plot. Darcy’s relationship with Mr. Wickham is crucial to Elizabeth’s understanding of him. Mr. Wickham had lead Elizabeth to believe that Darcy was a cruel and arrogant heir, selfishly hoarding his father’s large fortune and withholding Wickham’s promised inheritance. This untrue belief clouded her understanding of Darcy’s character and†¦show more content†¦Darcy’s interactions with Wickham both as a former brotherly friend and as an actual older brother ultimately lead her to refuse his proposal. Neither Elizabeth’s relationship with her sisters nor her relationship with Darcy could have caused such an intense dislike; Darcy’s roles as a brother had the greatest influence on Elizabeth’s feelings toward him. Darcy and Elizabeth’s relationship is an element of disorder in the novel, and this disorder is resolved with Darcy’s explanation of his true character in contrast to that which Wickham conveyed. Elizabeth’s personal relationships had no bearing on the resolution of this conflict. As shown in the end of the novel, her sister Jane’s opinion and her own mother’s opinion were of little importance to Elizabeth in regards to her engagement to Darcy. Mrs. Bennett, and more importantly Jane, were uninformed of Lizzie’s feelings towards Darcy, â€Å"Mr Darcy! Who would have thought it? And is it really true?† (Austen 325). Sisterhood played a minimal role in changing Elizabeth’s opinion of Darcy. Jane and Mrs. Bennett had little say in the matter, while the truth Darcy’s actions as a brother in regards to the Wickham fiasco, defined Lizzie’s feelings for him. Darcy’s role as an older brother to Georgiana further convinced Elizabeth of his decency and lead her down the path of falling in love. As previously noted, Darcy halted the financial support of Wickham because of his indecent pursuit of Georgiana.

5 Writers of the Harlem Renaissance

The Silver Linings Playbook Chapter 30 Free Essays

string(120) " admit that the other contestants received more applause than we did, which means their fan bases are larger than ours\." Like a Shadow on Me All of the Time Veronica drops us off in front of the Plaza Hotel on Saturday, saying, â€Å"Break a leg,† just before she pulls away. I follow Tiffany into the lobby, where four towers of water shoot out of a large fountain – at least ten feet up in the air. Real fish swim around in the pool of water, and signs read do not throw coins into the fountain. We will write a custom essay sample on The Silver Linings Playbook Chapter 30 or any similar topic only for you Order Now Tiffany has been here before. She walks right past the information desk and leads me through a maze of hallways with gold wallpaper and swanky-looking light fixtures that are all large bronze fish with lightbulbs in their mouths. Finally, we find the hall where the dance recital will take place. Red curtains frame a large stage. A huge banner hangs high above the dance floor; it reads dance away depression. We try to register at a desk, and it becomes obvious that we are the first contestants to show up, because the fat woman who is in charge of registration says, â€Å"Registration is not for another hour.† We sit down in the last row of seats. I look around. A huge chandelier dangles above us, and the ceiling is not just a regular ceiling, but has all sorts of plaster flowers and angels and other fancy things sticking out of it. Tiffany is nervous. She keeps cracking her knuckles. â€Å"Are you okay?† I ask. â€Å"Please don’t talk to me before the performance. It’s bad luck.† So I sit there and start to get nervous myself, especially since I have a lot more riding on this competition than Tiffany does, and she is obviously rattled. I try not to think about losing my chance to send Nikki a letter, but of course this is all I can think about. When other contestants begin to arrive, I notice that most of them look like high school students, and I think this is strange, but I do not say anything – mostly because I am not allowed to talk to Tiffany. We register, give our music to the sound guy, who remembers Tiffany from last year, I know, because he says, â€Å"You again?† After Tiffany nods, we are backstage, changing. Thankfully, I’m able to slip into my tights before any of the other contestants make it backstage. In the far corner, I’m minding my own business, sitting with Tiffany, when an ugly woman waddles over and says to Tiffany, â€Å"I know you dancers are pretty liberal about your bodies. But do you really expect me to allow my teenage daughter to change in front of this half-naked man?† Tiffany is really nervous now. I know because she does not curse out this ugly woman, who reminds me of the nurses in the bad place, especially since she is so out of shape and has a poofy old-lady haircut. â€Å"Well?† the mom says. I see a storage closet on the other side of the room. â€Å"How about I go in there while everyone else changes?† â€Å"Fine with me,† the woman says. Tiffany and I enter the supply closet, which is full of abandoned costumes from what must have been a children’s show – all sorts of pajama-looking suits that would make me look like a lion or a tiger or a zebra if I put one on. A dusty box of percussion instruments – tambourines, triangles, cymbals, and wooden sticks you bang together – reminds me of the music room in the bad place and music relaxation class, which I attended until I was kicked out. And then I have this terrifying thought: What if one of the other contestants is dancing to a Kenny G song? â€Å"You need to find out what songs the other dancers are performing to,† I tell Tiffany. â€Å"I told you not to talk to me before the performance.† â€Å"Just find out whether anyone is dancing to any songs played by a smooth jazz performer whose initials are K.G.† After a second she says, â€Å"Kenny – â€Å" I close my eyes, hum a single note, and silently count to ten, blanking my mind. â€Å"Jesus Christ,† Tiffany says, but then stands and leaves the closet. Ten minutes later she returns. â€Å"No music by that person,† Tiffany says, and then sits down. â€Å"Are you sure?† â€Å"I said no Kenny G.† I close my eyes, hum a single note, and silently count to ten, blanking my mind. We hear a knock, and when Tiffany opens the door, I see that many moms are backstage now. The woman who knocked tells Tiffany that all the dancers have checked in and are changed. When I leave the storage closet, I am shocked to see that Tiffany and I are the oldest contestants by at least fifteen years. We are surrounded by teenage girls. â€Å"Don’t let their innocent looks fool you,† Tiffany says. â€Å"They’re all little pit vipers – and extraordinarily gifted dancers.† Before the audience arrives, we are given a chance to practice on the Plaza Hotel stage. We nail our routine perfectly, but most of the other dancers also nail their impressive routines as well, which makes me worry we will not win. Just before the competition begins, the contestants are brought out before the crowd. When Tiffany and I are announced, we take the stage, wave, and the applause is mild. The lights make it hard to see, but I spot Tiffany’s parents in the front row, seated with little Emily, Ronnie, Veronica, and a middle-aged woman who I guess is Dr. Lily, Tiffany’s therapist, because Tiffany told me that her therapist would be in attendance. I scan the rest of the rows quickly as we walk offstage, but I do not see my mother. No Jake. No Dad. No Cliff. I catch myself feeling sad, even though I did not really expect anyone but Mom to show up. Maybe Mom is out there somewhere, I think, and the thought makes me feel a little better. Backstage, in my mind I admit that the other contestants received more applause than we did, which means their fan bases are larger than ours. You read "The Silver Linings Playbook Chapter 30" in category "Essay examples" Even though the woman who announced us is now giving a speech, saying this is a showcase and not a competition, I worry that Tiffany will not get the golden trophy, which would kill my chance to write Nikki letters. We are scheduled to perform last, and as the other girls do their numbers, the applause ranges from mild to enthusiastic, which surprises me, because during the preshow rehearsal, I thought all the routines were excellent. But right before we are set to dance, when little Chelsea Chen concludes her ballet number, the applause is thunderous. â€Å"What did she do out there to get such good applause?† I ask Tiffany. â€Å"Don’t talk to me before the performance,† she says, and I start to feel very nervous. The woman in charge of the recital announces our names, and the applause is a little livelier than what we received before the competition. Right before I lie down at the back of the stage, I look to see if maybe Jake or Cliff showed up late, but all I see when I look out into the audience is the hot white from the spotlights that are on me. Before I have a chance to think, the music starts. Piano notes – slow and sad. I begin my incredibly drawn-out crawl to center stage, using only my arms. The male voice sings, â€Å"Turn around †¦Ã¢â‚¬  Bonnie Tyler answers, â€Å"Every now and then I get a little bit lonely and you’re never coming round.† At this point Tiffany runs onto the stage and leaps over me like a gazelle or some other animal that is beautifully nimble. As the two voices continue to exchange verses, Tiffany does her thing: running, jumping, tumbling, spinning, sliding – modern dance. When the drums kick in, I stand and make a huge circle with my arms so people will know that I am the sun and I have risen. Tiffany’s movements also become more fervent. When Bonnie Tyler builds up to the chorus, singing, â€Å"Together we can take it to the end of the line; your love is like a shadow on me all of the time,† we go into the first lift. â€Å"I don’t know what to do and I’m always in the dark.† I have Tiffany up over my head; I am steady as a rock; I am performing flawlessly. â€Å"We’re living in a powder keg and giving off sparks.† I begin to rotate Tiffany as she lifts her legs out into a split and Bonnie Tyler sings, â€Å"I really need you tonight! Forever’s gonna start tonight! Forever’s gonna start tonight.† We make a 360-degree rotation, and when Bonnie Tyler sings, â€Å"Once upon a time I was falling in love, but now I’m only falling apart,† Tiffany rolls forward down into my arms and I lower her to the floor as if she were dead – and I, as the sun, mourn her. â€Å"Nothing I can say, a total eclipse of the heart.† When the music builds again, she explodes upward and begins to fly all around the stage so beautifully. As the song continues, I again make huge, slow circles with my arms, representing the sun as best I can. I know the routine so well, I can think about other things while I am performing, so I begin to think that I am actually nailing this performance pretty easily and it is a shame my family and friends are not here to see me dancing so excellently. Even though we will most likely not win the audience’s loudest applause – especially after Chelsea Chen obviously brought every single one of her family members to the performance – I begin to think we will win anyway. Tiffany is really good, and as she flies by me so many times, I begin to admire her in a way I had not previously. She has kicked her game up a notch for the competition and is now showing a part of herself I had not previously seen. If she was crying with her body for the last month or so, whenever we practiced in her studio, she is weeping uncontrollably with her body tonight, and you would have to be a stone not to feel what she is offering the audience. But then Bonnie Tyler is singing, â€Å"Together we can make it to the end of the line,† which means it is time for the second lift – the hardest one – so I lower myself into a squatting position and place the backs of my hands on my shoulders. As the song builds, Tiffany stands on my palms, and when Bonnie Tyler sings, â€Å"I really need you tonight,† Tiffany bends her knees, so I engage my leg muscles and push upward as fast as I can, extending my arms, elevating my palms. Tiffany shoots high up into the air, does a full flip, falls into my arms, and as the chorus dies down, we gaze into each other’s eyes. â€Å"Once upon a time I was falling in love, but now I’m only falling apart. Nothing I can do, a total eclipse of the heart.† She falls from my arms, as if dead, and I – being the sun – set, which means I lie back on the floor and use only my arms to slowly push myself backward and out of the spotlight, which takes almost a full minute. The music fades. Silence. For a second I worry that no one will clap. But then the house explodes with applause. When Tiffany stands, I do too. Just like we practiced so many times, I hold Tiffany’s hand and take a bow, at which time the applause thickens and the audience stands. I’m so happy, but at the same time I am sad because none of my family and friends came to support me – but then I hear the loudest Eagles chant I have ever heard in my entire life. â€Å"E!-A!-G!-L!-E!-S! EAGLES!† I look up toward the back rows, and not only do I spot Jake and Caitlin and Mom, but also Scott and the fat men and Cliff and the entire Asian Invasion. They are all wearing Eagles jerseys, and I start to laugh when they begin to chant, â€Å"Baskett! Baskett! Baskett! Baskett!† In the front row, Ronnie is smiling at me proudly. He gives me the thumbs-up when we make eye contact. Veronica is also smiling, and so is little Emily, but Mrs. Webster is crying and smiling at the same time, which is when I realize that she thinks our dance was really beautiful – enough to make her cry. Tiffany and I run offstage, and the high school girls congratulate us with their gaping eyes and their smiles and their chatter. â€Å"Oh, my God. That was so amazing!† they all say. It is easy to see that every one of them admires Tiffany because Tiffany is an excellent dancer and a talented choreographer. Finally Tiffany faces me and says, â€Å"You were perfect!† â€Å"No, you were perfect!† I say. â€Å"Do you think we won?† She smiles and looks down at her feet. â€Å"What?† I say. â€Å"Pat, I need to tell you something.† â€Å"What?† â€Å"There’s no gold trophy.† â€Å"What?† â€Å"There are no winners at Dance Away Depression. It’s just an exhibition. I made up the part about the wreath just to motivate you.† â€Å"Oh.† â€Å"And it worked, because you were beautiful out there onstage! Thank you, and I will be your liaison,† Tiffany says just before she kisses me on the lips and hugs me for a very long time. Her kiss tastes salty from the dancing, and it is strange to have Tiffany hugging me so passionately in front of so many teenage girls in tights – especially because I am shirtless and my torso is freshly shaved – and also I do not like to be touched by anyone except Nikki. â€Å"So now that we are done dancing, can I talk about Eagles football again? Because I have a lot of Eagles fans out there waiting for me.† â€Å"After nailing the routine, you can do whatever you want, Pat,† Tiffany whispers into my ear, and then I wait a long time for her to stop hugging me. After I change in the storage closet, Tiffany tells me there are no more naked teenagers backstage, so I go to greet my fans. When I hop down off the stage, Mrs. Webster grabs my hands, looks into my eyes, and says, â€Å"Thank you.† She keeps looking into my eyes, but the old woman doesn’t say anything else, which makes me feel sort of weird. Finally Veronica says, â€Å"What my mother means to say is that tonight meant a lot to Tiffany.† Emily points at me and says, â€Å"Pap!† â€Å"That’s right, Em,† Ronnie says. â€Å"Uncle Pat.† â€Å"Pap! Pap! Pap!† We all laugh, but then I hear fifty Indian men chanting, â€Å"Baskett! Baskett! Baskett!† â€Å"Better go greet your rowdy fans,† Ronnie says, so I walk up the aisle toward the sea of Eagles jerseys. Other audience members I don’t know pat me on the back and congratulate me as I weave my way through them. â€Å"You were so good up there!† my mother says in a way that lets me know she was surprised by my excellent dancing skills, and then she hugs me. â€Å"I’m so proud!† I hug her back and then ask, â€Å"Is Dad here?† â€Å"Forget Dad,† Jake says. â€Å"You got sixty or so wild men waiting to take you to the most epic tailgate party of your life.† â€Å"Hope you weren’t planning on getting any sleep tonight,† Caitlin says to me. â€Å"You ready to end the Pat Peoples curse?† Cliff asks me. â€Å"What?† I say. â€Å"The Birds haven’t won since you stopped watching. Tonight we’re taking drastic measures to end the curse,† Scott says. â€Å"We’re sleeping in the Asian Invasion bus, right outside the Wachovia parking lot. We set up the tailgate party at daybreak.† â€Å"Ashwini is driving around the block right now, waiting for us,† Cliff says. â€Å"So. Are you ready?† I am a little shaken by the news, especially since I just finished such an excellent dance routine and was hoping to simply enjoy the accomplishment for more than ten minutes. â€Å"I don’t have my clothes.† But my mom pulls my Baskett jersey out of a duffel bag I hadn’t noticed before and says, â€Å"You have everything you need in here.† â€Å"What about my meds?† Cliff holds up a little plastic bag with my pills inside. Before I can say or do anything else, the Asian Invasion begins chanting louder: â€Å"Baskett! Baskett! Baskett!† The fat men pick me up above their heads and carry me out of the auditorium, past the fountain full of fish, out of the Plaza Hotel, and onto the streets of Philadelphia. And then I am in the Asian Invasion bus, drinking a beer and singing, â€Å"Fly, Eagles, fly! On the road to victory †¦Ã¢â‚¬  In South Philadelphia, we stop at Pat’s for cheesesteaks – which take a long time to prepare, as there are sixty or so of us, and no one would dare go next door to Geno’s Steaks, because Geno’s steaks are inferior – and then we are at the Wachovia parking lot, parked just outside the gate so we will be the first vehicle admitted in the morning and therefore will be guaranteed the lucky parking spot. We drink, sing, throw a few footballs, and run around on the concrete; we roll out the Astroturf and play a few Kubb games under the streetlights, and even though I have only had two or three beers, I begin to tell everyone I love them because they came to my dance recital, and I also tell them I’m sorry for abandoning the Eagles mid-season and that it was for a good reason, but I just can’t say what – and then I am on a bus seat and Cliff is waking me up, saying, â€Å"You forgot to take your night meds.† When I wake up the next morning, my head is on Jake’s shoulder, and it feels good to be so close to my brother, who is still asleep. Quietly I stand and look around and realize that everyone – Scott, the fat men, Cliff, all fifty or so Asian Invasion members – is asleep on the bus. Two or three men are sleeping in every seat, with their heads on each other’s shoulders. Everywhere brothers. I tiptoe to the front of the bus, past Ashwini, who – in the driver’s seat – is asleep with his mouth wide open. Once outside, on the small patch of grass between the street and the sidewalk, I begin the same push-up and sit-up routine I used to do back in the bad place, before I had access to free weights and a stationary bike and the Stomach Master 6000. After an hour or so, first light comes. As I finish the last set of sit-ups, I feel as though I have burned off my cheesesteak and the beers I drank the night before, but I can’t help feeling like I should go for a run, so I run a few miles, and when I return, my friends are still sleeping. As I stand next to Ashwini and watch my boys sleep, I feel happy because I have so many friends – a whole busful. I realize that I left the Plaza Hotel without saying goodbye to Tiffany, and I feel a little bad about that, even though she said I could do whatever I wanted after we performed so well. Also I am very eager to write my first letter to Nikki. But there is Eagles football to think about now, and I know that an Eagles victory is just about the only thing that will smooth things over with my father, so I begin to hope, and I even say a little prayer to God, who I bet was pretty impressed with my dance routine last night, so maybe He will cut me a break today. Looking at all those sleeping faces, I realize I have missed my green-shirted brothers, and I begin to anticipate the day. How to cite The Silver Linings Playbook Chapter 30, Essay examples

Jon Smith Essay Example For Students

Jon Smith Essay Period 8 English 12February 12, 1997IntellegenceIt all started in the interesting city of New York. The smog ridden streets were filled with people. On a quiet little street corner, there was a small shop owned by Harvey Goldstein. Mr. Goldstein was a well-to-do merchant. He traded in all sorts of imports, and was generally a moral man. He did not buy goods from sweatshops nor did he ever cheat a customer.At 1:31 P.M. on May 15, 1996, he stepped out of his shop on the Upper East Side of Manhattan to meet a man who dealt in Asian silk screens downtown. He had been listening to traffic radio AM 530 and, deciding that traffic was too heavy, planned to take the subway. Goldstein was a smart man, very smart, who had built his store and his fortune out of blood, toil, tears, and sweat. Goldstein was also an upstanding member of the Jewish community whom everybody loved, but he never did anything extra, out of the ordinary, for anyone but himself. On the other side of town there was a new arrival to the city. This mans name was Running Bear. He was an American Indian who had gone to New York to seek his fortune; however, he soon fell upon hard times. He had lived a life of monetary deprivation on the plains of Colorado, and had proceeded to New York by Amtrak with only a dollar and a dream. Things did not go as planned, though; he could not find a job and had taken to panhandling and sleeping in the streets. His dreams, no doubt influenced by the fumes coming up from the sewer, were of money. A good man who only wanted to work and make a decent living, he had gone to the welfare office a few blocks north of Goldsteins shop. He was sent to the employment office downtown, and decided to take the subway. No doubt, the welfare officials and social workers sent him away with a sad shrug and a sigh. They knew he was a simple man. The two men saw each other waiting for the same train downtown. Interestingly enough, they were the only two waiting for the subway car, as a terrorist group had threatened to bomb a train and New Yorkers had generally taken the threat seriously. They looked at each other briefly, sized one another up, and got on the train. While on the train, Running Bear began fiddling with a hatchet; tossing it up in the air over and over again in boredom. Mr. Goldstein was staring at a quarter moving around on the ground debating whether or not he should pick it up. Just as Mr. Goldstein reached down to pick up the quarter, Running Bear dropped his hatched on the ground. Both of them took at a glance at the other; just then an explosion rocked the tracks. The Islamic militants had not been bluffing this time. Each man died without knowing exactly what had happened to him and both of the mens thoughts had been of money. Goldstein was thinking about refinancing his mortgage and taking a loan out on the equity in his car in order to purchase new inventory and make a solid profit. Running Bear had bee n thinking of how nice it would be to find a suitcase full of hundred-dollar bills. The men both arrived at the gates of heaven. St. Peter, following his superiors orders, knew that he needed these men to fill the quotas for the new affirmative-action plan put into place; what better than a Native American and a Jew to place into spots that would have previously been occupied by only Christians. St. Peter knew that these men werent actually qualified for entrance into heaven, but he devised a plan to help. Running Bear he said, you were a hard-working guy, and you never did anything wrong. However, you never did anything right either. I think, however, that this fault was due to the fact that you had no money. Therefore, I am going to send you back to Earth to live for five years. There, you will have a chance to show me how you